WITH 90.1 FM

World Cafe

Monday - Friday 2PM to 4PM

Since 1991, World Cafe®, is the premier public radio showcase for contemporary music serving up an eclectic blend that includes blues, rock, world, folk, and alternative country. The show is hosted by Talia Schlanger. The show's guest roster has included Joni Mitchell, David Bowie, Dave Matthews, Elvis Costello, Robert Plant, Dolly Parton, The Shins, Lucinda Williams, Paul McCartney, Ani Difranco, Damien Rice, Ladysmith Black Mambazo, REM, Rachael Yamagata, David Byrne, Yo Yo Ma, Billy Joel, Lyle Lovett, Bela Fleck, Moby, Taj Mahal, Coldplay, Sting, and The xx, among hundreds of others.

Neko Case's voice sounds like it originates from the belly of Mother Earth herself. In her music, you can hear the roots of trees, the wisdom of ancient warrior bones, the shift of tectonic plates, molten lava and placid water. "Have mercy on the natural world," she sings on the title track to her latest album Hell-On. It's her connection to and reverence of the natural world that stands out both in the album's lyrics and in the circumstances around making it.

"Stop asking musicians what they think." That is the opening line of the song "1933" on Frank Turner's new album Be More Kind, and a directive I was very happy to ignore when we sat down to talk about his music. Turner is clearly a deep thinker who values discussion and debate as fundamental parts of healthy society, in his words: "How do you have a conversation with someone you disagree with?"

People who love the band Dawes really love the band Dawes. Songwriting and musicianship aside, I think one of the things fans latch on to is that this is a band that feels like a good hang. The band's current lineup includes Taylor Goldsmith, along with his brother Griffin on drums, Wylie Gelber on bass; and Lee Pardini on keys. Whether you listen to its records on long car rides or in college dorm rooms or in dive bars or at wedding receptions, Dawes feels like good company.

A couple years ago, The Record Company released its debut album and earned a a Grammy nomination, a few hits, sold-out headlining shows, late night TV appearances — you get the idea — all off the strength of that one record made in bass player Alex Stiff's living room in LA. This is a surprisingly sharp trajectory if you know anything about how the music business works. But it's not surprising if you know how the band itself works.

Over the years, some bands who've released recording debuts have launched their careers with a single from the album that, in many cases, was the first song on the first side of their record. In the business, these songs are called "lead-off tracks," denoting the first in a series of songs on an album.

There's an intimacy in the way Ray LaMontagne records and performs music that makes you feel like you're peeking through a curtain and listening in on a private moment. And in some ways, you truly are.

Ray is an artist I think of the purest sort. He's in it for the expression, not the attention. That's one of the things that I love about Ray and have loved since his 2004 debut Trouble. And it's the same quality that makes this career path challenging for him.

For over 50 years, Paul Simon has shared his amazing talents with us: first, as a part of Simon & Garfunkel, one of the most important musical duos, and later as a solo artist. Few musicians have had as a critically-acclaimed and beloved career as Simon. He's won 16 Grammys, three of those for album of the year.

In this session, we hear the story of how two brothers went from singing in the pubs of an old steel town four hours North of London called Scunthorpe to recording at Rick Rubin's Shangri La Studios in Malibu, Calif.

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