Josh Jackson
Josh Jackson is the associate general manager for content at WRTI in Philadelphia.
Prior to joining WRTI, he was program director and content manager of WVTF in Virginia and special projects producer at WBGO in Newark, N.J. While at WBGO, Josh hosted Live at the Village Vanguard, a monthly concert series from the legendary New York jazz club. He was also the creator and host of Living With Music, a multimedia riff about jazz, discovery and other big ideas.
He started with a full-time gig and volunteer host position at WWOZ in New Orleans, landed a temporary production assistant job at American Routes and attended public radio boot camp at Murray Street Productions in New York. He has produced award-winning documentaries and more than 250 live concert recordings while at WBGO.
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Jazz has no shortage of celebrated masters. Every year brings an abundance of new milestones for record labels to celebrate. With that in mind, we present songs by six American jazz musicians who would have become centenarians in 2009, including Lester Young. -
After more than a decade of jamming, improvising and experimenting with sound, Benevento has discovered his own way into music by combining the thrust of rock, the questing of jazz and the experimental ecstasy of jam. Hear his trio cover Deerhoof and Leonard Cohen in a session.
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Even with his contributions to the instrument, not even Coleman Hawkins could have predicted how the tenor saxophone would become so centrally identifiable with jazz. Five of today's leading tenor players have new releases in 2009, each with his own take on the shape of jazz to come. -
Notes from an unamplified double bass rank among the most beautiful man-made sounds; in jazz, the creator of those notes is always in the middle of the action, charting the harmonic direction of a band and plotting the rhythmic narrative as both an accompanist and a soloist. It's no small task, but here are five musicians who performed the duty with aplomb. -
Lionel Gilles Loueke (GIL), Ferenc Nemeth (FE) and Massimo Biolcati (MA) form the core of Gilfema, a cross-border collaboration with a jazz foundation. In a session from WBGO, the band displays an egalitarian aesthetic rooted in finding common ground as musicians.
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Pianist Robert Glasper is an example of the freedom principle at work; walking proof that art is forever the great (small-d) democrat. A soon-to-be father, Glasper says he's excited about the world his child will soon enter, and he describes what Obama's presidency means for jazz.
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On New Year's Eve in New Orleans, the Evan Christopher/Tom McDermott Danza Quartet held sway with a set of music that was anything but picayune. With a sousaphone-toting bassist and a tambourine-banging drummer, the quartet made the show an affair to remember.
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The flute is one of the oldest known instruments, but it gets little respect. It's mostly known for schmaltzy concert recordings and one particular comedic movie reference. Luckily, the sheer virtuosic force of many jazz artists has lent a cool factor to the much-maligned instrument. Here are five of jazz's best flutists in action. -
Even though there's a stunning array of color in autumn, there's something inherently melancholy about watching the leaves drop. Let these five confessionals prepare you for a season of the high lonesome — a time before a chilly mood meets the rake's progress. -
Gustavo Santaolalla is perhaps best known for his film scores in Brokeback Mountain and The Motorcycle Diaries. Now, the Academy Award-winner has gone back to his roots as a musician. In a session from WBGO, Santaolalla talks about his film music and plays a lute-like instrument solo.
