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Custom-made drones whirred around a glowing track for two days, trying to win the $250,000 prize at the "World Drone Prix." A young man from Britain, known as "Banni UK," piloted his way to the top.

Prohibited by constitutional rules from seeking her country's top post, former political prisoner Aung San Suu Kyi now becomes Myanmar's foreign minister.

A Senate panel is looking to see if the company is keeping conservative media and bloggers out of top search results. Google has previously denied political bias.

These three songs, from Clark's incendiary new album This Land, roar with the assurance and force of a showman at the top of his game.

Snowden speaks about his decision to share top-secret intelligence documents with journalists in 2013. Justin Chang reviews Ad Astra. Mitchell says that asking tough questions is "very empowering."

Billie Eilish hits No. 1 on Billboard's Hot 100 with her song "bad guy," making her the first artist born in this century to top the chart.

Rice's music demands close attention: Whether he's singing in an aching whisper or yelling amid strings and other pomp (often in the same song), he's a nuanced performer who isn't afraid to lay his feelings bare. "Elephant" finds him carrying on in top form, in an epic ballad that showcases his considerable emotional and vocal range.

Jazz vocalist Roberta Gambarini sails like an angel on top of a song, while Freddy Cole's baritone voice rides low, full of experience but still sentimental. Hear them both in a concert recorded live for JazzSet.

Always provocative, the band jettisons post-punk thrash in favor of a sturdier Top 40 pop sound that recalls the early to mid-'80s.

Commentator Rob Kapilow explains how Copland's pure, American sound springs from two simple chords that open the ballet Appalachian Spring. Stacked upon each other, the chords reveal a sound like all of America, like the purest values, and like Shaker simplicity.