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Felix Contreras

Felix Contreras is co-creator and host of Alt.Latino, NPR's pioneering program about Latin Alternative music and Latino culture. It features music as well as interviews with many of the most well-known Latinx musicians, actors, filmmakers, and writers. He has hosted and produced Alt.Latino episodes from Mexico, Colombia, Cuba, and throughout the U.S. since the show started in 2010.

Previously, Contreras was a reporter and producer NPR's Arts Desk and, among other stories and projects, covered a series reported from Mexico on the musical movement called Latin Alternative; helped produce NPR's award-winning series 50 Great Voices; and reported a series of stories on the financial challenges aging jazz musicians face.

Contreras is a recovering television journalist who has worked for both NBC and Univision in Miami and California. He's a part-time musician who plays Afro-Cuban percussion with various jazz and Latin bands in the Washington, DC, area. He is also NPR Music's resident Deadhead.

In the interest of providing a much-needed musical balm, we redirect the upcoming weekly playlists toward indie musicians who are both reeling economically while dealing with the emotional impact of our current situation.

Sometimes we need to ponder deep thoughts, but other times we need to work out our anxieties through physical exercise on the dance floor — or our living rooms and kitchens, as it may be. We're here for you either way.

Listen to this playlist on Spotify or Apple Music.

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For four days in January, Getting Funky In Havana — the title of a musical exchange between Cuba's

When I produce a Tiny Desk Concert, one of my most important jobs is to make sure they run on time and that the performance sticks to our set time limit (roughly 15-minutes). So when Bob Weir and Wolf Bros achieved lift-off during a pre-show sound-check, it was my unthinkable responsibility to tell the guy who practically invented the jam band to... stop jamming.

When I presented Cimafunk at the Alt.Latino SXSW showcase last year, it was easily one of the most dynamic performances I had seen in more than ten years of attending the annual music festival. I couldn't wait to get them behind the Tiny Desk so the band could strut its intoxicating mix of Afro-Cuban dance music and 1970s funk-and-soul from the US.

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Morning Edition's series called One-Hit Wonders / Second-Best Songs focuses on musicians or bands whose careers in the United States are defined by a single monster hit, and explai

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